The brief for The Royal Opera House production of Orfeo; taking place in the round in Camden’s Roundhouse, went something along the lines of:
"Two days to get set, sound and light in before the first rehearsal, for which everything must be completely ready. Everything needs to be amplified for clarity, but in such a way that no-one notices."
It has to be one of the best starts to a year we have ever had. Read more
Meltdown is the annual festival of music, art, performance and film that offers a guest producer the opportunity to take over Southbank with their own ideas for ten days. It had its inception over 20 years ago and guest producers have included Elvis Costello, John Peel, David Bowie, Jarvis Cocker, Ray Davis and Morrissey. Read more
Our relationship with Artangel goes back many years and covers a huge range of projects from various performance works in Room For London through the cinema installation of ‘1395 Days without Red’ (Sejla Kameric and Anri Sala) and Susan Philipsz’ ‘Surround Me’ that ran throughout the City of London. Read More
Tate Modern’s Turbine Hall is a space we know reasonably well and we were fortunate enough to work with Africa Express last year. The two came together at the end of 2014 when the decision was taken to perform Terry Riley’s In C Mali on the bridge of the Turbine Hall. Read More
Sponsored by Deliotte each year Ignite brings together artistes from many disciplines and the program ran in 2014 for four weeks in the autumn. We were fortunate enough to be involved in the opening weekend and with ongoing performances for the duration, brought in by Martin Adams to support his audio team through this very busy period. Read More
Our experienced team combine in-depth knowledge with the best sound equipment across a wide range of venues, artists and locations. Our collective skill and experience is second-to-none and we take pride in offering the same high quality service and personal attention on each and every project, whatever its size.
Our standard operating procedures (which include detailed proposals, CAD drawings, visualisations, site visit management, delivery schedules and feedback reporting) can be flexed to suit each project and each client.
We believe in a precise yet creative approach to your sound requirements.
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Thanks guys for everything over the past week and in the run up to the project, particularly your patience with the difficult working circumstances. A superb job as always.
Digital Projects Manager, Philharmonia Orchestra
Thank you for your part in helping to ensure a really good day. Our members, and all of us, really do appreciate the efforts of all involved in making for an enjoyable and smoothly run event, particularly as this was Fiona’s last. I know you went above and beyond this time – you are very kind. Our AGMs are really special to us, not just because our members enjoy them, but because it means we have the opportunity to work with such friendly and talented people like you.
Deputy Secretary, National Trust
"The event last year was been described in my world, by people who really knew about such things, as the best outdoor sound for orchestra they had ever heard. This year was better."
Marc Stevens, the LSO concerts and recordings manager